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Wheeler Winston Dixon

"Wheeler Winston Dixon is a masterful film editor. His sensitivity to the movement within the frame and of the camera itself allows for fluidity in his editing that is exuberant and refreshing. It is as though his films tap into our collective unconscious by exploring the surface realities that permeate our lives." - Bruce Rubin, Associate Curator of Film, Whitney Museum of American Art

"There are already enough images in the world. In my videos, I prefer to use existing imagery, playing with it to the point of abstraction to create an other-worldly experience. Although the original images are rooted in the real world, the final product exists in a phantom zone, existing only as long as the image is projected on the screen. At the same time, I hope to seduce the viewer into believing that however unreal these images are, they still have some sort of temporal reality. It is this gap between the actual and the imagined that informs all of my work." - Wheeler Winston Dixon

Dixon's films have been screened at The Museum of Modern Art, The Whitney Museum of American Art, Anthology Film Archives, The BWA Katowice Museum of Modern Art in Poland, The Microscope Gallery, The National Film Theatre (UK), The Jewish Museum, The Nelson - Atkins Museum of Art, The Millennium Film Workshop, The San Francisco Cinématheque, The Maryland Institute College of Art, The New Arts Lab, The Collective for Living Cinema, The Kitchen Center for Film and Video, The Filmmakers Cinématheque, Film Forum, The Amos Eno Gallery, Sla 307 Art Space, The Gallery of Modern Art, The Rice Museum Media Center, The Oberhausen Film Festival, The Experimental Response Cinema and elsewhere.

In 2003, Dixon was honored with a retrospective of his films at The Museum of Modern Art, and his films were acquired for the permanent collection of the Museum, in both print and original format. This is a collection of his most recent work.

Entire contents of this website copyright © 2015 - 2018 Wheeler Winston Dixon. All rights reserved.

  1. Neon Flag

    “What thoughts I have of you tonight, Walt Whitman, for I walked down the side streets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations!” – Allen Ginsberg

    This video was created using footage and soundtracks in the Public Domain, or released as CC0 Public Domain materials, and is made entirely from recycled, repurposed and refashioned images and sounds.

  2. Victory Lap

    “What is the appeal of accelerationism today? It can be understood as a response to the particular social and political situation in which we currently seem to be trapped: that of a long-term, slow-motion catastrophe.” ― Steven Shaviro

    This video was created using footage and soundtracks in the Public Domain, or released as CC0 Public Domain materials, and is made entirely from recycled, repurposed and refashioned images and sounds.

  3. Look

    “It's not what you look at that matters, it's what you see.” - Henry David Thoreau

    This video was created using footage and soundtracks in the Public Domain, or released as CC0 Public Domain materials, and is made entirely from recycled, repurposed and refashioned images and sounds.

  4. Yellow Catastrophe

    “History is a race between education and catastrophe.” - H. G. Wells

    This video was created using footage and soundtracks in the Public Domain, or released as CC0 Public Domain materials, and is made entirely from recycled, repurposed and refashioned images and sounds.

  5. Sketchbook

    “The computer is a tool, just like pencil or charcoal, allowing illustrators to manipulate images from their sketchbooks.” - Chris Riddell

    This video was created using footage and soundtracks in the Public Domain, or released as CC0 Public Domain materials, and is made entirely from recycled, repurposed and refashioned images and sounds.

  6. Ulysses on the Shore

    "When Ulysses hears his own story sung by an epic poet and then he reveals his identity and the poet wants to continue singing, Ulysses isn't interested any longer. That's very astonishing." - Raymond Queneau

    This video was created using footage and soundtracks in the Public Domain, or released as CC0 Public Domain materials, and is made entirely from recycled, repurposed and refashioned images and sounds.