KISS2014 -- “Becoming Kyma, aural fluxes in transconsistent composition (the event of composing in Kyma)”: Marinos Giannouka
Proposed by the author is a technical and theoretical approach to composition as a complex system requiring a dynamic approach in order to understand it as a process. We ought to move away from a rigid ontological approach, in order to understand it and render it intelligible. We need not to know its intrinsic architecture as much as its behavior and functional integration. The approach proposed uses phase-spaces as basic element to control real time assemblages, be it a complex Sound, a timeline, a grid or all that coupled with other media. An overview on how this approach is actualized in the Kyma environment is given.
Sunday 28 September 2014, Musikhochschule Lübeck Kammermusiksaal