Mark Fell: Recursive Frame Analysis
October 8, 2015
Returning to EMPAC after his 2013 multi-venue installation and performance, British artist Mark Fell presents Recursive Frame Analysis, a new work for light, sound, and human movement. As with many of Fell’s previous works, Recursive Frame Analysis emphasizes highly formalized aesthetic strategies: arrangements of intensely saturated light, raw synthetic sound, disrupted rhythmic structures, and kinetic systems that urge the audience to their perceptual and cognitive boundaries.
Taking its title from a therapeutic technique (RFA) developed in the 1980s, Recursive Frame Analysis refers to the cognitive patterns around which behavioral relationships and interactions develop; typically these are thought of as “stuck” and therefore also somehow problematic. The frame in the case of this performance could refer to the semiotic or the phenomenological.
The work engages with and responds to vocabularies of shapes developed by New York-based choreographer and dancer Brittany Bailey.
CURATOR: ARGEO ASCANI