b. 1967, Mexico City
Lives and works in Montréal and Madrid
Rafael Lozano-Hemmer is known for creating large-scale interactive installations in public spaces throughout Europe, Asia, and North America. Using robotics, custom software, projections, internet links, cell phones, sensors, LEDs, cameras, tracking systems, and often employing vanguard technologies, his “Antimonuments” challenge traditional notions of site-specificity, and instead focus on the idea of creating relationship-specific work through connective interfaces. His smaller-scale “Subsculptures” and his work in photography, video, and installation explore themes of surveillance, perception, and deception. Since his emergence in the 1990s, Lozano-Hemmer has mixed the disparate fields of digital media, robotics, medical science, performance art, and lived experience into interactive artworks.
His public artworks have been commissioned for the Philadelphia Association for Public Art (2012); La Triennale québécoise, Montreal, Canada (2011); Winter Olympics, Vancouver, Canada (2010); Federation Square, Melbourne, Australia (2010); the 50th Anniversary of the Guggenheim Museum, New York (2009); the memorial for the Tlatelolco Student Massacre, Mexico City (2008); Madison Square Park, New York (2008); Trafalgar Square, London (2008); Québec City’s 400th Anniversary (2008); the Expansion of the European Union, Dublin, Ireland (2004); the opening of the YCAM Center, Yamaguchi, Japan (2003); and the Millennium Celebrations, Mexico City (1999).
Featured recently in solo exhibitions at the San Francisco Museum of Modern Art; the Fundación Telefónica, Buenos Aires; and the Museum of Contemporary Art, Sydney; Lozano-Hemmer was the first artist to represent Mexico at its national pavilion at the 52nd Venice Biennale. Collections holding his work include the Museum of Modern Art, New York; Tate Modern, London; Art Gallery of Ontario, Toronto; Cisneros Fontanals Art Foundation, Miami; Colección Jumex, Mexico City; Museo Universitario de Arte Contemporáneo, Mexico City; DAROS Latinamerica Collection, Zurich; Borusan Contemporary, Istanbul; 21st C Museum of Art, Kanazawa; Manchester Art Gallery, UK; MUSAC, Leon; MONA, Hobart; ZKM, Karlsruhe; the Musée d’art contemporain de Montréal and Singapore Art Museum, among others.
Past exhibitions of his work have also included The Barbican Centre, London; The Museum of Art, Hong Kong; and La Gaîté Lyrique, Paris; Kulczyk Foundation, Poznan; Art Basel Unlimited; and art biennials in Moscow, New Orleans, Shanghai, Sydney, Singapore, Liverpool, Istanbul, Seville, Seoul, Graz, and Havana. A recipient of the International Bauhaus Award in Dessau, his honors also include the Golden Nica from Ars Electronica, a Rockefeller Fellowship, a Daniel Langlois Foundation grant, two British Academy of Film and Television Arts awards in Interactive Art, and the Trophée des Lumières in Lyon.
In New York March 6-10, 2013 Lozano-Hemmer’s work will be featured at The Armory Show in a solo exhibition at the bitforms gallery stand. The display will focus on recent work, including a selection of sculpture, photography and light-based pieces such as “Semioptics for Spinoza”, which will make its world premiere.
For more information on Rafael Lozano-Hemmer: bitforms.com/artists/lozano-hemmer